Craft, Trades & Making · Traditional & Heritage Crafts
A topic within Traditional & Heritage Crafts, itself one of 10 topics in that field and part of Craft, Trades & Making.
2 works
Charles F. Binns
Argues that the studio potter should understand clay body and glaze chemistry directly, rather than relying on factory recipes, because a one-person studio cannot outsource its own troubleshooting.
about 2.5 hours to readlink checked 17 Sept 2026Stephen W. Bushell
Argues that Chinese ceramic history should be read through the marks, glazes and forms of surviving pieces rather than through an often unreliable textual record, and builds a chronology from that physical evidence.
link checked 17 Sept 2026