Project Sherlock

Arts & Culture

Music

Organised sound — theory, practice, history and the technology that keeps redefining it.

10 fields · 101 topics · 10 curated works

Fields within Music

Reading in Music

10

Start here

No prior grounding assumed.

  • The Inner Game of MusicBarry Green & W. Timothy Gallwey, 1986

    Performance is degraded mostly by self-interference, and the remedy is directed attention rather than more effort.

    Book
  • This Is Your Brain on MusicDaniel Levitin, 2006

    Connects music theory to auditory neuroscience, explaining why expectation and its violation produce musical pleasure.

    Book

Then

Assumes you know the vocabulary.

  • All You Need to Know About the Music BusinessDonald S. Passman, 1991

    The standard explanation of where the money actually goes, written by a lawyer for the side of the table that usually loses.

    Book
  • Revolution in the HeadIan MacDonald, 1994

    Every Beatles recording analysed in order, which turns a familiar catalogue into a case study in how fast a craft can develop.

    Book
  • The Rest Is NoiseAlex Ross, 2007

    Twentieth-century classical music explained through the politics it was written inside, which is what makes the difficult works legible.

    Book
  • Mixing Secrets for the Small StudioMike Senior, 2011

    Assumes an untreated room and cheap monitors, and is consequently the most useful production book for the situation most people are actually in.

    Book
  • Worlds of MusicJeff Todd Titon, 1984

    The standard ethnomusicology survey, which treats each tradition on its own terms rather than as a variation on Western practice.

    Book

Go deeper

Primary sources and full treatments.

  • Thinking in JazzPaul F. Berliner, 1994

    Improvisation is not spontaneous invention but the fluent recombination of material learned over years — documented from the players themselves.

    Book
  • The Study of Counterpoint (Gradus ad Parnassum)Johann Joseph Fux, 1725

    The species counterpoint method that trained Haydn, Mozart and Beethoven, still the standard route into voice leading.

    Book
  • The Study of OrchestrationSamuel Adler, 1982

    The standard text on writing for instruments as they actually behave, including the ranges where a part becomes unplayable.

    Book